Billy Boo Bob
Aug 6, 08:38 PM
It won't be a live video stream. In the afternoon Apple will begin streaming a compressed HD recording of it.
I wish they would provide a full QT file download, like the movie trailers. Even if it isn't HD, but just the standard QT. Sure the file would be large, but they could BitTorrent it. Make a standalone app that uses BT, but will only download that one single file. You wouldn't even have to know that BT was under the hood... Just that you were downloading at near peak speeds (depending on when you actually grab the file).
I wish they would provide a full QT file download, like the movie trailers. Even if it isn't HD, but just the standard QT. Sure the file would be large, but they could BitTorrent it. Make a standalone app that uses BT, but will only download that one single file. You wouldn't even have to know that BT was under the hood... Just that you were downloading at near peak speeds (depending on when you actually grab the file).
Dr.Gargoyle
Aug 11, 02:21 PM
Now in Europe I know it is different and that GSM is the standard.
It is more like 81% of the world market.
It is more like 81% of the world market.
Demoman
Sep 15, 10:52 PM
Uh, last time I checked, Windows can take advantage of multiple cores just fine. Do you think that multithreading is some Black Magic that only MacOS can do? Hell, standard Linux from kernel.org can use 512 cores as we speak!
Related to this: Maybe not 512-way SMP, but here (http://www.linux-mips.org/wiki/IP27_boot_messages) is what it looks like when Linux boots on 128-way SGI Origin supercomputer. Note, the kernel that is booting is 2.4.1, which was released in early 2001. Things have progressed A LOT since those day.
OS X works with quad core == "Ahead of technology curve"... puhleeze!
Windows works just fine with dual-core. It really does. To Wndows, dual-core is more or less similar to typical SMP, and Windows has supported SMP since Windows NT!
Any reason why it wouldn't work? And did you even read the Anandtech-article? They conducted their benchmarks in Windows XP! So it obviously DID work with four cores! And it DID show substantial improvement in performance in real-life apps! Sheesh! Dial tone that fanboysihness a bit, dude.
I think the same applies to you, Bill. You seem to be here to act as a Microsoft evangelist.
Related to this: Maybe not 512-way SMP, but here (http://www.linux-mips.org/wiki/IP27_boot_messages) is what it looks like when Linux boots on 128-way SGI Origin supercomputer. Note, the kernel that is booting is 2.4.1, which was released in early 2001. Things have progressed A LOT since those day.
OS X works with quad core == "Ahead of technology curve"... puhleeze!
Windows works just fine with dual-core. It really does. To Wndows, dual-core is more or less similar to typical SMP, and Windows has supported SMP since Windows NT!
Any reason why it wouldn't work? And did you even read the Anandtech-article? They conducted their benchmarks in Windows XP! So it obviously DID work with four cores! And it DID show substantial improvement in performance in real-life apps! Sheesh! Dial tone that fanboysihness a bit, dude.
I think the same applies to you, Bill. You seem to be here to act as a Microsoft evangelist.
bigandy
Jul 14, 03:52 PM
the size and weight of the power supply makes it damn stupid to put in the top.
top heavy is just idiotic.
i'd love to see dual optical drive bays and the same basic design as the G5. it's a great design, so why the need for change in the first place... :rolleyes:
top heavy is just idiotic.
i'd love to see dual optical drive bays and the same basic design as the G5. it's a great design, so why the need for change in the first place... :rolleyes:
kdarling
Mar 23, 10:18 AM
If you read my original post, you'll notice that I was referring to the fact that many programmers are careless about optimizing their code all because they can count on a large amount of resources, and because they get lazy.
I think anyone programming above assembly language and/or on a device with more than about 16K of memory, gets lazy :)
Most Mac programmers are good at optimizing, while many Windows programmers are not.
Where does Apple's horrible iTunes for Windows fit into this myth?
I think anyone programming above assembly language and/or on a device with more than about 16K of memory, gets lazy :)
Most Mac programmers are good at optimizing, while many Windows programmers are not.
Where does Apple's horrible iTunes for Windows fit into this myth?
bretm
Apr 11, 09:51 AM
Then that just begs the question, "why haven't these people left already?" FCP has been fairly stagnant for years. There are plenty of other alternatives, so doesn't that kinda make them fanboyish too for sticking it out when up to this point Apple has given zero hints about when or how it will take FCP to the next level?
I'm not in the video editing biz, but if the pro s/w I use in my profession hobbled my efficiency and workflow the way you are carping about FCP, and there were viable alternatives, I would abandon it quicker than pigeon can snatch a bread crumb. Just sayin'.
I'm an independent corporate video editor. Work out of the house. I've been doing NLE since 1993. I started with VideoCube, then Media 100, then Avid, and then FCP in 2001. Avid had to get really behind (and threaten to leave the mac platform) before post houses made the switch. They really screwed that up at NAB that year. They had been languishing on the mac apps and releasing certain products- Symphony, DS, etc. on Windows only for a few years and at NAB one sales guy said to someone that they would essentially be phasing out the mac platform. They denied it later, but it was probably their plan. Then FCP came out and for the corporate folks that didn't need to spend 70,000 on an Avid system, it was wonderful. In the years that followed it closed the gap immensely and Avid fought back with cheaper products and options. It became a either or situation, with FCP being the slightly cheaper option. But with the new tech in the last 2 years, Apple has to leap frog again.
But still, it's so much more than just the app. Which is why Adobe (which has all the features everyone wants in FCP) is having such a hard time getting anyone but hacks to use it. There is an installed user base and an entire generation of people trained on FCP & Avid. And it was just the above fluke that gave FCP an in. It's one thing for an individual like me to switch, but for a company that uses contractors and other companies and rely on compatibility and workflows and such, it's a nightmare. I work with independent producers, and their clients are usually large companies. All 3 of us are using FCP. If I switch, I make life hard on the producer who is cutting together rough ideas on her laptop. When we deliver product, we deliver a product and the FCP project and files so that the big company, who has editing facilites of their own, can make changes without our help in an emergency. It's part of why they feel comfortable going out of house.
It's the smaller turnkey shops that do it all in house that can afford to keep totally cutting edge and buy every upgrade. But truth is, most good editing should rely on cuts and dissolves. You need anything fancier audio or graphic wise, you should be hiring an audio professional or a graphics professional.
I have the Adobe Master collection myself because I dabble in AE, PS, Flash and Dreamweaver. But the web authoring has just gone crazy. I can't keep up with all that. And AE is starting to get that way too. For me, I would just like FCP to upgrade and/or reinvent itself so I can integrate new tech simpler. Better authoring for Blu-Ray and DVD. Better web options. Importing file formats without log and transfer BS. And lets tune it up to make it use all the processors and be a ridiculous powerhouse. High end features rivaling Avid, and the touch and elegance of Apple. Plus a few neat tricks like offline editing on iPad or using the iPad as a controller, etc. would be cool and welcome.
I'm not in the video editing biz, but if the pro s/w I use in my profession hobbled my efficiency and workflow the way you are carping about FCP, and there were viable alternatives, I would abandon it quicker than pigeon can snatch a bread crumb. Just sayin'.
I'm an independent corporate video editor. Work out of the house. I've been doing NLE since 1993. I started with VideoCube, then Media 100, then Avid, and then FCP in 2001. Avid had to get really behind (and threaten to leave the mac platform) before post houses made the switch. They really screwed that up at NAB that year. They had been languishing on the mac apps and releasing certain products- Symphony, DS, etc. on Windows only for a few years and at NAB one sales guy said to someone that they would essentially be phasing out the mac platform. They denied it later, but it was probably their plan. Then FCP came out and for the corporate folks that didn't need to spend 70,000 on an Avid system, it was wonderful. In the years that followed it closed the gap immensely and Avid fought back with cheaper products and options. It became a either or situation, with FCP being the slightly cheaper option. But with the new tech in the last 2 years, Apple has to leap frog again.
But still, it's so much more than just the app. Which is why Adobe (which has all the features everyone wants in FCP) is having such a hard time getting anyone but hacks to use it. There is an installed user base and an entire generation of people trained on FCP & Avid. And it was just the above fluke that gave FCP an in. It's one thing for an individual like me to switch, but for a company that uses contractors and other companies and rely on compatibility and workflows and such, it's a nightmare. I work with independent producers, and their clients are usually large companies. All 3 of us are using FCP. If I switch, I make life hard on the producer who is cutting together rough ideas on her laptop. When we deliver product, we deliver a product and the FCP project and files so that the big company, who has editing facilites of their own, can make changes without our help in an emergency. It's part of why they feel comfortable going out of house.
It's the smaller turnkey shops that do it all in house that can afford to keep totally cutting edge and buy every upgrade. But truth is, most good editing should rely on cuts and dissolves. You need anything fancier audio or graphic wise, you should be hiring an audio professional or a graphics professional.
I have the Adobe Master collection myself because I dabble in AE, PS, Flash and Dreamweaver. But the web authoring has just gone crazy. I can't keep up with all that. And AE is starting to get that way too. For me, I would just like FCP to upgrade and/or reinvent itself so I can integrate new tech simpler. Better authoring for Blu-Ray and DVD. Better web options. Importing file formats without log and transfer BS. And lets tune it up to make it use all the processors and be a ridiculous powerhouse. High end features rivaling Avid, and the touch and elegance of Apple. Plus a few neat tricks like offline editing on iPad or using the iPad as a controller, etc. would be cool and welcome.
~Shard~
Jul 14, 03:00 PM
Why all the smilies? Having the ability to install other-format optical drives is what AppleInsider is talking about.
I was directing the smilies more towards 4God, since he only mentioned Blu-Ray as if it would be a given that would be the only type of drive Apple would be including. ;)
There, see, you only get one smilie. :D Okay, two, including that one...
I was directing the smilies more towards 4God, since he only mentioned Blu-Ray as if it would be a given that would be the only type of drive Apple would be including. ;)
There, see, you only get one smilie. :D Okay, two, including that one...
wizard
Apr 7, 11:05 PM
Wirelessly posted (Mozilla/5.0 (iPhone; U; CPU iPhone OS 4_3_1 like Mac OS X; en-us) AppleWebKit/533.17.9 (KHTML, like Gecko) Version/5.0.2 Mobile/8G4 Safari/6533.18.5)
Guys Apple is not to blame for this one. Well other than doing business with a sleazy business like Best Buy.
Honestly it has been like eight years since I've entered a Best Buy, everything about the place just feels undesirable and corrupt. The fact that many here are surprised at this non-sense highlights a marginal expectation for ethical behavior. No one really needs to shop at Best Buy, there are plenty of alternatives.
Guys Apple is not to blame for this one. Well other than doing business with a sleazy business like Best Buy.
Honestly it has been like eight years since I've entered a Best Buy, everything about the place just feels undesirable and corrupt. The fact that many here are surprised at this non-sense highlights a marginal expectation for ethical behavior. No one really needs to shop at Best Buy, there are plenty of alternatives.
rdowns
Mar 24, 12:43 PM
The right pro-war machine is all but gone. The policies haven't changed, but the party color of the president has.
Fixed that for you.
Fixed that for you.
BaldiMac
Apr 6, 04:21 PM
Yeah, like the "bogus numbers" that indicated that back in Q2(?)/2010 Android outsold iOS in the US. Steve is it you? :D
What are you talking about? No one even estimated their market share under 75% for Q4 2010? How could they have dropped 30%?
What are you talking about? No one even estimated their market share under 75% for Q4 2010? How could they have dropped 30%?
benthewraith
Nov 28, 07:54 PM
i agree with this on one condition:
Universal agrees to give up its right to prosecute anyone who owns an iPod for piracy.
i.e. if I buy an iPod, then I can pirate Universal's catalogue all I want because I have effectively already paid for their content.
a few bucks is a small price to pay to get access to everything they got
One wonders why it hasn't been used in a Court of Law. :p Stress that the same law that applies to cassette tape players and the record function should be the same as downloading music to use on cds (to which they paid for, and to which money is added to CD/DVD sales to make up for pirated music).
Universal agrees to give up its right to prosecute anyone who owns an iPod for piracy.
i.e. if I buy an iPod, then I can pirate Universal's catalogue all I want because I have effectively already paid for their content.
a few bucks is a small price to pay to get access to everything they got
One wonders why it hasn't been used in a Court of Law. :p Stress that the same law that applies to cassette tape players and the record function should be the same as downloading music to use on cds (to which they paid for, and to which money is added to CD/DVD sales to make up for pirated music).
mobilehavoc
Apr 6, 02:38 PM
I own both the iPad and the Xoom - both do some things very well, and both do some things horribly.
I am starting to wean myself off of iOS, though. The iPad served me well as a "starter" tablet, but I constantly find myself wanting it to do more or different things, which is something Android (not the Xoom specifically, but Android as a whole) does offer.
To each his own, you know?
This is an excellent point. I still recommend the iPad to my parents, family and friends who are new to the tablet market. For those of my friends who are techy and into computers/technology, the XOOM is much more enjoyable.
This is why having competition is good. If Jobs had his way we'd all be stuck with iPads whether we wanted them or not.
I am starting to wean myself off of iOS, though. The iPad served me well as a "starter" tablet, but I constantly find myself wanting it to do more or different things, which is something Android (not the Xoom specifically, but Android as a whole) does offer.
To each his own, you know?
This is an excellent point. I still recommend the iPad to my parents, family and friends who are new to the tablet market. For those of my friends who are techy and into computers/technology, the XOOM is much more enjoyable.
This is why having competition is good. If Jobs had his way we'd all be stuck with iPads whether we wanted them or not.
jackc
Aug 8, 05:16 AM
I hope there's been a significant overhaul in Spotlight, beyond what Steve hinted at already. There was no video demo on the website, so hopefully that's the case. It was a really underdeveloped feature in Tiger.
Billy Boo Bob
Nov 28, 11:02 PM
1 Random artist finds inspiration and writes a song
2 Artist decides his song is so good that he/she records it in a professional studio (which he can rent) so the sound quality is superb
3 Artists logs into the iTMS and publishes his song
4 Artists gets $ from every song sold and the iTMS charges the artist for the distribution
See, that's the catch-22 for new artists. The labels are the ones that get tunes played on the radio. In the 50's and 60's they would strong-arm their stuff in, but I'm sure even nowadays they provide incentives (read: bribes) to get new stuff on the air. Especially if they think the band is really good and will make it in the long run. And don't fool yourself into thinking a new band can get huge without radio.
The problem is that the labels get the artists by the balls when they sign them up to ridiculous contracts. Your 1-4 examples look pretty good on paper, but in order to sell any significant number of copies of their music, anyone wanting it (but doesn't know it yet) has to wade through tons of (what that persons sees as) crap just to get any exposure to something they'll consider good. I'm sure there's a lot of music in the indie catalog that I would just love, but I don't have the time to wade through it all to find it. Instead, I'll listen to the radio and when I hear something I like, I'll try to pay attention to who it is. I may or may not end up buying it, or checking out what else they do, but without radio exposure, most good indie bands don't have a chance in hell of selling to anyone except those that happen to be in the bar where they're playing one weekend.
Now, if you take a look at already established and popular bands, that's a different story. Someone mentioned huge bands like Pink Floyd. Their last couple of CDs didn't need a big label to sell. People were going to buy it if they like Floyd no matter what. And in a case of that kind of popularity, the radio stations were going to play them with or without a major label. The same could be applied to other huge (classic) rock bands, as well as established artists in other music styles (country, rap, R&B, blues, etc...). Another example would be someone like Eric Clapton. He could put one out on "Clapton Records" and would sell nearly, if not exactly, the same number of CDs as he will on a major label.
Unfortunately, the number of artists (of any type of music) that could dismiss the labels and still sell as many CDs and get the same radio exposure are limited. And any new band is going to go nowhere without radio (or MTV/VH1) exposure.
In the end, I don't see the labels going away totally any time soon. They're in cahoots with the big FM music stations and in general, they do a good job of promoting new good bands that sign up. It's just a shame that there's really nothing to keep them from raping the artists. If there were just some way for new bands to get exposure to the masses without having to sell their souls to the labels then things would be better. Unfortunately, the Internet can only go so far in helping a new band with this.
2 Artist decides his song is so good that he/she records it in a professional studio (which he can rent) so the sound quality is superb
3 Artists logs into the iTMS and publishes his song
4 Artists gets $ from every song sold and the iTMS charges the artist for the distribution
See, that's the catch-22 for new artists. The labels are the ones that get tunes played on the radio. In the 50's and 60's they would strong-arm their stuff in, but I'm sure even nowadays they provide incentives (read: bribes) to get new stuff on the air. Especially if they think the band is really good and will make it in the long run. And don't fool yourself into thinking a new band can get huge without radio.
The problem is that the labels get the artists by the balls when they sign them up to ridiculous contracts. Your 1-4 examples look pretty good on paper, but in order to sell any significant number of copies of their music, anyone wanting it (but doesn't know it yet) has to wade through tons of (what that persons sees as) crap just to get any exposure to something they'll consider good. I'm sure there's a lot of music in the indie catalog that I would just love, but I don't have the time to wade through it all to find it. Instead, I'll listen to the radio and when I hear something I like, I'll try to pay attention to who it is. I may or may not end up buying it, or checking out what else they do, but without radio exposure, most good indie bands don't have a chance in hell of selling to anyone except those that happen to be in the bar where they're playing one weekend.
Now, if you take a look at already established and popular bands, that's a different story. Someone mentioned huge bands like Pink Floyd. Their last couple of CDs didn't need a big label to sell. People were going to buy it if they like Floyd no matter what. And in a case of that kind of popularity, the radio stations were going to play them with or without a major label. The same could be applied to other huge (classic) rock bands, as well as established artists in other music styles (country, rap, R&B, blues, etc...). Another example would be someone like Eric Clapton. He could put one out on "Clapton Records" and would sell nearly, if not exactly, the same number of CDs as he will on a major label.
Unfortunately, the number of artists (of any type of music) that could dismiss the labels and still sell as many CDs and get the same radio exposure are limited. And any new band is going to go nowhere without radio (or MTV/VH1) exposure.
In the end, I don't see the labels going away totally any time soon. They're in cahoots with the big FM music stations and in general, they do a good job of promoting new good bands that sign up. It's just a shame that there's really nothing to keep them from raping the artists. If there were just some way for new bands to get exposure to the masses without having to sell their souls to the labels then things would be better. Unfortunately, the Internet can only go so far in helping a new band with this.
nagromme
Aug 6, 01:44 PM
Assuming that is true, it sounds like Mac-Pro.com stands to gain some valuable publicity no matter how things turn out :)
I'm skeptical since Mac Pro sells Apple's Macs, and got THEIR name from that.
I'm skeptical since Mac Pro sells Apple's Macs, and got THEIR name from that.
leekohler
Apr 27, 12:29 PM
I suspected it was a copy, I've never trusted the president, and I probably never will.
Why? What has he done to make you not trust him? IMO, he's done a decent job so far, and actually gotten quite a bit of good things done.
Why? What has he done to make you not trust him? IMO, he's done a decent job so far, and actually gotten quite a bit of good things done.
dicklacara
Jul 27, 10:27 PM
The next gen of chips has 4 core versions of conroe and woodcrest, each with the same sockets as the ones they're replacing. Not sure if there will be a 4 core merom.
Pretty cool, but it needs a real name, MAC won't cut it. Maybe Mac Express?
And it wouldn't have FW800 or a second optical slot. Probably a second HD slot instead. And I'd guess it would be more of a pizza box enclosure, but that's wild speculation. Your price is probably way too low, too.
How about Mac Midi?
Pretty cool, but it needs a real name, MAC won't cut it. Maybe Mac Express?
And it wouldn't have FW800 or a second optical slot. Probably a second HD slot instead. And I'd guess it would be more of a pizza box enclosure, but that's wild speculation. Your price is probably way too low, too.
How about Mac Midi?
iliketyla
Apr 6, 02:03 PM
Motorola not selling any units of a crappy product? Huh... who'd have thought.
I wish they'd start banning people who makes baseless comments like this.
I wish they'd start banning people who makes baseless comments like this.
twoodcc
Aug 14, 05:54 PM
well to my understanding, there should be a lot of change between GT5 prologue and the full release. we won't know til it comes out, but i sure hope that it is much better.
i personally like all the cars and graphics. i like how it keeps up with how many miles you have on each car, and that you need to change the oil and everything. but maybe that's just me. its cheaper for me to play the game instead of actually buying a nice sports car.
i personally like all the cars and graphics. i like how it keeps up with how many miles you have on each car, and that you need to change the oil and everything. but maybe that's just me. its cheaper for me to play the game instead of actually buying a nice sports car.
jon1987
Apr 25, 01:53 PM
So as far I can make out, the information is only stored on the users iOS device and computer. So not a big deal really. I know people are saying someone could steal your phone and access the information, but surely they could also then access every piece of personal information the user put on there?
Then again I'm from the uk, I'm recorded by CCTV on every street corner, so perhaps im used to it?:p
Then again I'm from the uk, I'm recorded by CCTV on every street corner, so perhaps im used to it?:p
tumblebird
Nov 29, 10:23 AM
Anyone interested in creating an Universal blacklist of albums then?
YES AND YES... oh, wait, I don't listen to any of their artists. But YES anyways. Has anyone bought a domain name yet?
YES AND YES... oh, wait, I don't listen to any of their artists. But YES anyways. Has anyone bought a domain name yet?
NoNameBrand
Jul 20, 01:04 PM
I hate to burst everyone's bubble, but Kentsfield will not be appearing in any of the Pro machines for some time.
Apple will be using them exclusively in the Xserves, at for the most part of 2007. This will finally give Apple another way to distinguish their server line from their pro line.
What? Apple*differentiates the XServes by having them 1U thick and rackmountable. One buys a rackmount server not because it's faster but because it's smaller and fits in a rack.
Apple will be using them exclusively in the Xserves, at for the most part of 2007. This will finally give Apple another way to distinguish their server line from their pro line.
What? Apple*differentiates the XServes by having them 1U thick and rackmountable. One buys a rackmount server not because it's faster but because it's smaller and fits in a rack.
realitymonkey
Apr 6, 09:52 AM
You must have pretty limited experience.
It's the only logistical way to deliver high-bitrate 1080p material to clients.
Really what sort of clients ?
It's the only logistical way to deliver high-bitrate 1080p material to clients.
Really what sort of clients ?
leekohler
Mar 17, 11:00 AM
While I might agree with some of things you said, I do have to take exception to this point. How did Obama sell himself as a "military dove"?
He campaigned on getting out of Iraq, while escalating our campaign in Afghanistan. And promises to close Gitmo had more to do with due process than it did pacifism.
So please 5P, provide some evidence on how Obama sold himself as a "dove".
And please, let's dispense with your ridiculous "both parties are the same line". Is that a pickle in your pocket, or are you just happy to see Newt Gingrich?
Agreed. I'm getting tired of these sensational, histrionic and downright dishonest threads.
He campaigned on getting out of Iraq, while escalating our campaign in Afghanistan. And promises to close Gitmo had more to do with due process than it did pacifism.
So please 5P, provide some evidence on how Obama sold himself as a "dove".
And please, let's dispense with your ridiculous "both parties are the same line". Is that a pickle in your pocket, or are you just happy to see Newt Gingrich?
Agreed. I'm getting tired of these sensational, histrionic and downright dishonest threads.
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